Tickets $12

Ozu’s hilarious Technicolor reworking of his silent I Was Born, But . . Good Morning (Ohayô) is the story of two young boys in suburban Tokyo who take a vow of silence after their parents refuse to buy them a television set. Shot from the perspective of the petulant brothers, Good Morning is an enchantingly satirical portrait of family life that gives rise to gags about romance, gossip, and the consumerism of modern Japan.

Tickets $12

A testament to the goodness of humankind, Akira Kurosawa’s Red Beard (Akahige) chronicles the tumultuous relationship between an arrogant young doctor and a compassionate clinic director. Toshiro Mifune, in his last role for Kurosawa, gives a powerhouse performance as the dignified yet empathic director who guides his pupil to maturity, teaching the embittered intern to appreciate the lives of his destitute patients. Perfectly capturing the look and feel of 19th-century Japan, Kurosawa weaves a fascinating tapestry of time, place, and emotion.

Tickets $12

A handsome, suave Toshiro Mifune lights up the screen as painter Ichiro, whose circumstantial meeting with a famous singer (Yoshiko Yamaguchi) is twisted by the tabloid press into a torrid affair. Ichiro files a lawsuit against the seedy gossip magazine, but his lawyer, Hiruta (Kurosawa stalwart Takashi Shimura), is playing both sides. A portrait of cultural moral decline, Scandal is also a compelling courtroom drama and a moving tale of human redemption.

Tickets $12

A thief, murderer, and charming lady-killer, Iwao Enokizu (Ken Ogata) is on the run from the police. Director Shohei Imamura turns this fact-based story, of the seventy-eight-day killing spree of a remorseless man from a devoutly Catholic family, into a cold, perverse, and at times diabolically funny tale of the primitive coexisting with the modern. More than just a true-crime case, Vengeance Is Mine bares mankind’s snarling id.

Tickets $12

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The
Pornographers has outlasted its critics, and now seems frankly ahead of its time.

Tickets $12

CLASSIC SUMMER WEEKENDS continues onto August >>

**The admission is free with suggested donations from $10 that could be donated at VIZ Cinema or through our online box office ( For online purchases, online service fee will be charged. ) More donation could be made at VIZ Cinema on the day of show. Thank you!

100% of proceeds will be donated to EARTH DAY TOKYO TOWER of Japan. Earth Day Tokyo Tower Volunteer Center started its activities In response to the Northeastern Japan’s tsunami and earthquake devastation on March 11, 2011. The group sends volunteers into the devastated area to clean up, make food, hold events to cheer up children, setting up food courts, and more. The weekend volunteers are sent to the hard hit regions on buses running on used tempura oil.

It is 1949 in Japan, in a world where World War II never happened and the nobility system is still in place. Heikichi, a circus acrobat, is deceived by “The Fiend (Kaijin) with Twenty Faces”, a.k.a. K-20, and is set up to take the fall for the phantom thief. Now, Heikichi must wage war against K-20. Starring Takeshi Kaneshiro, Takako Matsu, and Toru Nakamura. Based on the bestseller mystery novel series by Ranpo Edogawa.